Steve Grimm's place in Milwaukee music history remains secure for having fronted one of the city's most prominent bands to make it to a major label. It's been a while since Bad Boy was a happening entity, but Grimm remains vital-if inextricably linked to a time when hard rock correlated to long hair and tight pants-on his third strictly solo CD.
The best of this eight-song disc shows how the moderately heavy sound Grimm has maintained for more than three decades has fed into trends that still resonate for many. In retrospect it's no surprise that Bad Boy and power-poppy Cheap Trick were so tight. Equally evident is how the hair-spray metal bands that ruled the pre-grunge '80s may owe some debt to Bad Boy's rowdy ilk. Grimm sounds like he's having a blast in his role as an elder rocker-not living so far in the past as to be a relic, but not forgetting the fans who made him what he's become. Good for all parties concerned.

Remember when bands cared about albums as an art form? Instead of
slapping together a dozen tracks because, hey, they'll just end up on
everyone's iPod shuffle anyway, musicians considered how their songs
might congeal as a whole or form some sort of dram
Elvis Costello's frequent collaborator T-Bone Burnett produced Secret, Profane & Sugarcane,
an Americana-inflected album working with country and folk traditions
for images of sawdust floors set to mandolin and fiddle. Costello
intended one s
You wouldn’t expect to find T-bone and sirloin dinners at a place with stool seating and a location next to a shop hawking cell phones and cigarettes. But one of the city’s most evocatively named eateries, ZaZa Steak & Lemonade (4919 W. Capito
The enduring fantasy of older men is that a gorgeous
young woman will fall in love with them, find them sexually arousing
and long to imbibe their wisdom while sitting at their feet. That
fantasy is the spring driving Woody Allen's often-hilarious f
Away We Go, a droll comedy-cum-drama by director Sam Mendes (American Beauty),
perceptively explores the lives of more-or-less ordinary 30-somethings
lost in a world without much meaning. Verona (Maya Rudolph) and Bu


