Nice to see that Lil Wayne invested some of his Tha Carter III profits into his live show. Wayne's concert Saturday night at Chicago's United Center was a pyrotechnical spectacle that owed more to Genesis' vintage, high-concept AV presentations than the typical low-budget, drive-by rap show. Ushered onstage by explosive bursts of fire and smoke, Weezy was backed by a band that hovered above him on glowing, elevating platforms that...
"Avast, you scalawags. Bilgemunky Radio is preparing to air…" A robotic female voice with a British accent repeated this a few times shortly before 8 p.m. on a recent Monday night. Meanwhile, Gerard Heidgerken was cueing up to broadcast his weekly Internet pirate radio show. In this case the term "pirate" doesn't refer to a broadcast that taps FCC-sanctioned airwaves, but rather to literal, swashbuckling pirates. Bilgemunky Radio features songs about pirates from mainstream bands and a surprising number of songs from...
Chicago's Nate Manic has made a habit of giving bad advice to dance music producers across the Midwest and beyond. Since launching the Bad Advice Music imprint in 2007, the DJ/producer/label head has managed to coax top-notch producers into spiraling down toward the dark, dirty trenches of his tech-influenced label. Some of his most recent converts include Derrick Carter, Cheap as Chimps and HeavyFeet, to name a few. Since July 2007, Bad Advice has built its reputation as both a digital and vinyl label with an open-door policy that welcomes a range of...
Muscle Shoals, Ala., became a soul-music mecca in the '60s on the strength of its famed recording studio and crack crew of mostly white but unfailingly soulful sidemen. Fame Records was associated with the Muscle Shoals sound and one of its top artists, Jimmy Hughes, is honored with a CD reissue of some of his best material from the era. Hughes was an expressive and insistent black R&B singer armed with a batch of irresistible songs performed by tough yet supple rhythm...
Rooted in Macedonia, the brash Balkan sound of Kocani Orkestar is a delirious romp fueled by oompah tuba and Arabesque flights of clarinet fancy. Vocalist Ajnur Azizov injects an additional gust of fervor into music whose raucous origins are entwined in the wedding bands and communal rites of its homeland. In keeping with the demands of the world-music bin they have been placed in, Kocani branches out, infusing the Mexican standard "La Llorona" with an Eastern European accent.
If Roy Orbison's career had ended after his 1950s rockabilly phase, he would still have been assured of a footnote in the history of music. Along with Sun Records peers such as Elvis Presley and Jerry Lee Lewis, Orbison's songs showed a sly, rascally character that put a fun spin on the fledgling movement called rock 'n' roll. Of course, if that had been the end, he would have remained a cult act at best. And the music world wouldn't have taken full advantage...
There should be little argument that Cheap Trick's 1979 live album, At Budokan, ranks among rock's seminal live recordings, paving the way for practically every band that dared call itself "power pop." No wonder Epic Records has reissued numerous versions of that April 1978 concert at Tokyo's Nippon Budokan arena over the years. But none comes close to Budokan!, the Godzilla of reissues, featuring three CDs and one DVD that mark the original...
Coming from Wisconsin's cherry-growing peninsula, guitarist Doc Heide and mandolin player Eric Lewis ply their instruments to an assortment of Christmas carols and hymns, veering from traditional favorites into the Episcopal Psalter of Heide's youth. The results are finely picked and strummed, with the most dynamic and textural variation often coming when they go into minor chording. The duo's straddling of classical and folk traditions, with...
One of the best classic-rock acts that nobody knows came from a Christian commune in Chicago. Resurrection Band, whose roots go back to Milwaukee's early-'70s Jesus Liberation Army group of holy hippies, created a substantial catalog of heavy rock that eventually absorbed prog, new wave, metal and folk influences-with great artistic success-over 26 years and more than a dozen studio albums. Wisconsin native Glenn Kaiser's...
Hats off to Marc Ribot for releasing perhaps the two most disparate back-to-back albums in history. February gave us Exercises in Futility, a solo, new age/classical, acoustic pluck-work with noodling of the likes to make Leo Kottke blush. Now the guitarist returns with Party Intellectuals, an offering from his self-proclaimed "first rock band since high school." In what sounds like a name borrowed from...
Happy New Year from Microsoft Corp.: Your Zune is dead.
Thousands of Microsoft's Zune media players - the software company's answer to Apple Inc.'s iPod - unexpectedly conked out Wednesday and showed users an error message, prompting references to "Y2K for Zunes." The problems appeared when people tried to start up their devices.
Frustrated users lit up Microsoft's online support forum for Zunes with more than 2,500 messages by Wednesday afternoon.
Late Wednesday, the Redmond, Wash.-based company said the outage affected only the 30-gigabyte Zune models and was caused by a problem with their internal clock. Microsoft expected the problem to clear up as the clocks ticked over to Jan. 1, though users will have to jump through some hoops to get their Zunes back to normal, including letting the batteries die down completely before the devices will restart successfully.
The crash of so many Zunes at once drew comparisons to the Y2K programming problem that stoked fears about a widespread computer meltdown in 2000 when the machines ticked over to the new millennium.
Zunes have paltry popularity compared the iPod, which owns nearly three-quarters of the MP3 market, compared with Zune's single-digit market share, according to statistics from the NPD Group. But some users are fiercely loyal, and newer Zunes have gotten positive reviews.